https://devlaravel.imosver.com/en/libros/cine-como-medida-de-reparacion-de-violaciones-de-derechos-humanos-el-TER0017444TER0017444CINE COMO MEDIDA DE REPARACIÓN DE VIOLACIONES DE DERECHOS HUMANOS, EL25.18Esta obra pretende dar continuidad a la Tesis Doctoral del autor intitulada Derechos Humanos en la Literatura y Cine Venezolano, publicada en 2021 por la Editorial Jurídica Venezolana, con prólogo delhttps://static.arnoia.com/imagenes_small/9789564/978956407487.jpgLibrosLibros/DERECHOEn stockOLEJNIK000https://static.arnoia.com/imagenes_small/9789564/978956407487.jpg001058743026.551.322024/09/199789564074870Reverón Boulton, CarlosLibrosaño_2024idioma_SpanishCautor_Reverón Boulton, Carlossaga_BIBLIOTECA DE DERECHOS HUMANOS
Artículo
CINE COMO MEDIDA DE REPAR
Reverón Boulton Carlos
OLEJNIK
DERECHO
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Synopsis CINE COMO MEDIDA DE REPARACIÓN DE VIOLACIONES DE DERECHOS HUMANOS, EL
Esta obra pretende dar continuidad a la Tesis Doctoral del autor intitulada Derechos Humanos en la Literatura y Cine Venezolano, publicada en 2021 por la Editorial Jurídica Venezolana, con prólogo del profesor Ramón Escovar León, como intento de impulsar y consolidar una línea de investigación propia que ha denominado como Derechos Humanos y Cine. En esta oportunidad, en lugar de analizar alguna obra en específico, propone el uso del cine como instrumento de reparación de violaciones de derechos humanos, concretamente como medida de satisfacción, bajo la premisa de que hay historias que merecen ser contadas, de manera que luego de exponer las obligaciones del Estado de respeto y garantía de derechos humanos y el particular derecho de las víctimas a una reparación integral, explica porque considera el uso del celuloide como un instrumento idóneo para satisfacer el daño que sufren aquellos cuyos derechos fundamentales han sido violados. Ello lo justifica por cuanto esas expresiones artísticas son idóneas para perpetrar la verdad y la memoria histórica de situaciones vinculadas con el avasallamiento de la di